“Kindermusik is elegant in its integrated approach to a child’s development. Physiologically, touch, movement,
Carla Hannaford, Ph.D., Biologist, educator and author of Smart Moves: Why Learning Is Not All in Your Head and The Dominance Factor Language Development
“Playing with objects such as the scarf play in Kindermusik Village encourages a baby to make sounds and words and helps her anticipate outcomes which are central to conversational development and language acquisition. Varying pitches between high and low in Kindermusik class stimulates these first foundations for a baby or young child’s learning the variety of sounds of language.”
Dan DeJoy, Ph.D., Speech-Language Pathologist Attention and Inhibitory Control
“Kindermusik addresses a child’s development in many various and powerful ways. Repeated exposure to musical activities develops important cognitive and behavioral skills. Some musical activities can help develop inhibitory control – the ability to control or stop one’s movements. Also, changing volume, rate and pitch in songs and activities
Ed Dougherty, Ph.D., Neuropsychologist Movement and Physical Development
“Current research has shown that movement is the key to learning at any age. Our brains fully develop through movement activities such as crawling, rolling, turning, walking, skipping, reaching, and much more. When children and adults participate in Kindermusik classes, they are developing both sides of their brains through structured and creative music and movement activities. Television, video
Anne Green Gilbert, Movement specialist, author of Creative Dance for All Ages, and director Of Creative Dance Center Special Needs Children
“Music as a curriculum in its own right is a valuable one. There are no winners or losers in Kindermusik class – the only competition is with one’s self, which is a crucial part of educating children with special needs. Kindermusik incorporates not only the joy of music but also movement, touch,
Stuart J. Schleien, Ph.D., Professor and Department Head, Department of Recreation,
“A major task for toddlers, that can confuse parents at first, is resolving the conflict between their passionate desire for closeness to their parents—after all, they are still barely out of babyhood—and their equally fierce drive for independence. Activities such as those in the Kindermusik Our Time curriculum provide toddlers this opportunity. A child can move into the circle during story time and actively participate if he wishes, or he can stay close to Mom or Dad and listen to the story being read. Given this security, most toddlers will naturally move to greater, and more appropriate, independence as they approach preschool age.”
Melissa R. Johnson, Ph.D., Pediatric Psychologist, Cary, NC Literacy
“When introduced appropriately, music and literature play an amazing role in the development of infants and toddlers. I’m happy that Kindermusik has extended its programs to include this time of life when brain development is most vulnerable and parents are most in need of support and direction.”
Claudia Quigg M.Ed., Founder and Executive Director of Baby TALK.
“One of my strongest impressions of Kindermusik’s work is the variety of musical selections that are there for children. The selections are of high quality and of considerable diversity, such that children can listen and respond to the music of Bach, Mozart, contemporary composers and cultural traditions around the globe. Kindermusik understands that children deserve opportunities to know a palette of musical colors, and thus through the program provide windows to the world of people and their artistic expressions. This rainbow of musical colors is the stuff that surrounds children through their Kindermusik training, so that
Patricia Campbell, Ph.D. Professor of music at University of Washington and author of Songs in Their Heads: Music and Its Meaning in Children’s Lives, Lessons from the World